pixelated spectrum
Hey.
This is my inspiration blog. I use it as a virtual scrapbook, to keep track of my current fads.
pixelated spectrum
+
mandalaish:

excerpt from Carl Jung’s Red Book
+
onlyoldphotography:

Saul Leiter: Jean Shrimpton for a British Vogue beauty story on red make-up, August 1966
+
flowury:

the grass is alive and it is dancing
+
"Without their chloroplasts plants would be left like the rest of us, to eat what they find. Instead they hold out their green palms and catch light. If there is magic in the world, surely this is it: the descendants of tiny creatures in leaves, capable of ingesting the sun."
Rob Dunn, “The Glory of Leaves,” National Geographic (via treee-magic)
+
+
likeafieldmouse:

Egon Schiele - Young Trees with Support (1912)
+
fawnbaby:

altruisticmisanthrope:

broccoli floret crowns are better than flower crowns

broccoli is a flower though
fawnbaby:

altruisticmisanthrope:

broccoli floret crowns are better than flower crowns

broccoli is a flower though
+
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Daniel Canogar: Small Data, 2014 

Small Data is composed of a series of salvaged electronic devices (old cell phones, broken computer screens and printers, cracked hard discs, etc.), onto which an overhead projection is cast. The projections, precisely aimed at the devices, animate and seemingly give new life to the abandoned technologies. The artist works like an archeologist, pulling out the found items from piles of discarded materials in junkyards and recycling centers (veritable cemeteries for consumer electronics) and organizes them on shelves as if they were fragile remnants of a bygone era.
Issues related to memory and identity are explored in this group of artworks. As communication tools with the outside world, and as repositories for so many of our thoughts, we acquire a very intimate relationship with the technological devices present in the artworks. Haunted by their past, the artist attempts to reveal memories, both personal and collective, that seem trapped within, mementos of a time when they had fully functional lives and served us well.
Small Data explores the life and death of consumer electronics, and how when we discard our devices, we are throwing out a small part of ourselves.

My Amp Goes To 11: Twitter | Instagram
+
+
+
+
+
+
+
welovetekno:

Another night in the Techno Jungle